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The tone at the MASH is established by recent arrivals
There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland
hired by a wealthy general to find out and stop his youngest daughter
is now ingrained within Rwandan mentality despite the Rwandan independence
Director: M
Kes (1969) The Double The tone at the MASHAbout this print Every single frame of the movie Kes has been analysed and averaged to a single colour. These colours are then arranged chronologically to create a unique fine art composition that captures the entire visual journey of Ken Loach's film. Printed using archival pigment inks on 308gsm Hahnemhle photo rag fine art paper, each print is a museum quality gicle produced to order and created in its original theatrical aspect ratio. Director:
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